Timeline

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Revision as of 05:29, 27 March 2018 by Zander (talk | contribs) (Artists)
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Damage Control Timeline: Tube-powered delay pedal

Controls

DamCont TimeLine top.png
DamCont TimeLine front.png

Bypass:Unknown

General Information

Only repeating delay pedal made by Damage Control

Scraped from damage control site - marketing speak:


The Ultimate Delay

  • Advanced, meticulously detailed delay algorithms with unprecedented control.
  • Mod Delay, Slap, Long, Tap, Ping-pong, Multi-head, and Reverse delay types.
  • 20 second Two-Track Looper with tempo sync and individual pan/level controls.
  • Reverse delay features real-time alignment with your playing for consistently repeatable live performances.
  • Say goodbye to “models.” Continuously variable time, feedback, mix, mod speed/depth, grit, filter and smear controls let you go places modelers never dreamed of. Go between the models and create sounds that are truly unique.
  • True stereo operation.
  • Crafted with love in the USA

Superior Analog Performance

  • Analog dry signal path for ZERO latency operation.
  • Premium quailty A/D & D/A converters coupled with analog dry path allow an astounding 115dB Signal to Noise ratio typical.
  • 96kHz, 32-bit floating point processing throughout.
  • Tube-buffered wet signal path. Dual 12AX7s run at their full 250V plate voltage for the warmest and fattest digital effects available anywhere.
  • Transparent analog buffered bypass so your pedal will work equally well in front of an amp, in a loop or on a mixing console.

Intuitive User Interface and Operation

  • All parameters instantly available real-time during performance. No hidden menus to dig through. Continuously variable.
  • 8 easily accessible presets.
  • Full MIDI implementation allows extended control for those with more complex rigs.
  • Delay is both Tap tempo and Strum tempo enabled.


Pedal Manual

Phase Inversion

Schematic

Artists

We are currently unaware of any artists actively using the pedal now, or who have in the past.


Additional Sources