BYOC Parametric EQ (equalizer) pedal. It's been stated that, "A graphic equalizer is a toy, but a parametric equalizer is a tool."
We don't necessarily agree with this statement, but we will agree that someone using a parametric equalizer requires a bit more sophistication in what they're looking for tone-wise, and a willingness to invest more time when it comes to using one. One of the benefits (some might say it's a drawback) of using a parametric equalizer is that it tends to demand that the person using it use their ears to get the sound they're looking for, instead of just allowing that person to "use settings they already know they like" - especially when they're using one for the first time.
- Thermionic Studios has one(1) BYOC Parametric EQ pedal available for rental.
So usually we just launch into a description of the controls, but we need to do it a bit differently here since the controls require a bit more nuance in their description.
Each bank of controls has the same feature set:
- Frequency-band Width Control: Width or "Q"
- Selected Frequency-band Volume: Boost / Cut
- Frequency-band "Midpoint" Select: Freq. Select
These controls are incredibly interactive, and as described above, it takes a bit of contextual knowledge to understand what's going on. After the description of the control banks, we do expand on the nature of the tone controls and the parameters controlled further down in this article, including some diagrams that should help clarify the concepts.
This bank modifies adjustments to bass frequencies from 33Hz up to 330Hz. Knobs are on left side and run up-and-down
- Knob 1 - "Width or Q": Controls the breadth of the bass frequencies to be modified.
- Knob 2 - "Boost / Cut": Adjusts the intensity of the bass frequencies with fully clockwise being maximum.
- Knob 3 - "Freq. Select": Selects where in the bass (33Hz up to 330Hz) that the other bass tone controls are going to be active.
This bank modifies midrange frequencies from 250Hz to 2.5kHz. Knobs are in the middle and run up-and-down
- Knob 4 - "Width or Q":: Controls the size of the bandwidth of the midrange frequencies to be modified.
- Knob 5 - "Boost / Cut": Adjusts the intensity of the midrange with fully clockwise being maximum.
- Knob 6 - "Frequency Select":: Selects the where in the midrange (250Hz to 2.5kHz) that the tone controls are going to be active.
This bank modifies treble frequencies from 1.1kHz to 11kHz. Knobs are on right side and run up-and-down
- Knob 7 - "Width or Q":Controls the breadth of the treble frequencies to be modified.
- Knob 8 - "Boost / Cut": Adjusts the volume level of the treble frequencies with fully clockwise being fully boosted.
- Knob 9 - "Freq. Select": Adjusts the control of the selected frequency "center" from 1.1kHz to 11kHz.
- Knob 10 - "Master Volume": Adjusts the total volume of the pedal (and all tone controls) with fully clockwise being and addition of more than 30 dB of boost above and beyond the volume boost/cut of each of the frequency band banks.
- Footswitch 1 - "On/Off": This footswitch toggles the pedal between engaged/active ("On"), and bypassed ("Off")
Please note that there is overlap between the frequency shaping of the Bass and Midrange controls (The Midrange bank goes as low as 250Hz, and the Bass bank can go as high as 330Hz), and also with the Midrange and Treble controls (a low of 1.1kHz on the Treble bank, and a high of 2.5kHz on the Midrange bank).
Like all other BYOC pedals, the Parametric EQ is sold with only true bypass.
So the Parametric EQ operates like any other parametric equalizer that you might find on the market. We have found not just guitarists, but bass players, keyboard players, and even recording engineers and producers also being attracted to and using parametric equalization. In some cases, a parametric equalizer will be used by a front-of-house sound engineer to isolate and remove particular offending frequencies. The show can then proceed, often with no, or little discernible difference in sound being output by the band.
If you're just learning about how a parametric equalizer works for the first time, these next sections on how the controls work should be of great interest.
Width or "Q"
This control is really what allows the parametric equalizer to come into it's own. Once your desired frequency midpoint has been selected, the Q control can be adjusted to expand or contract the range of frequencies modified by the Boost/Cut control. Please see associated image.
The control of the Q allows the user to be able to boost (or cut) a huge swath of the frequency bandwidth (for example, bass), or alternatively, as discussed above, to be able to narrow down to a very tight, specific frequency range. If something like uncontrolled feedback happens to be a problem with someone's gear, a skilled sound person can quickly identify the offending frequency, reduce the tone control to the narrowest possible band, and then cut that particular frequency to kill the feedback loop.
Boost / Cut
Tone controls are functionally no different than volume controls. In fact the exact same electronic component is used for the control: A potentiometer. Where a tone control differs from a volume control is in the filtering that separates out the frequencies to be affected. The resistors and capacitors have been selected specifically for altering the signal tone within a particular range.
So when you turn the "Treble" knob on your amplifier up, all you're doing is increasing or decreasing the volume of the treble frequencies that the treble tone control portion of the amplifier circuit is passing through. The same happens on each of the Parametric EQ's "frequency volume" controls.
This tone control is used to sweep across the range of frequencies available to that particular tone control. In other words, if we're talking about the midrange select control, this control is used to set the central frequency that's being modified by the rest of the controls. Returning to the midrange control, the frequency of the midrange select can vary (depending on the setting) from 250Hz to 2.5kHz
Phase Inversion: Yes/No
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We are currently unaware of any artists actively using the pedal now, or who have in the past.
- Additional Sources